A Comedy of Thoughts (AKA In Lieu of an Article)

What is a comedy of thoughts? I don’t know. As far as I know, I just made it up. In this case, it’s like a comedy of manners but in your head. Sounds awful, right?

Responsibility: Weren’t we supposed to do a post today?

Panic: You mean, we didn’t do it? We-

Memory: Relax. We did one.

Responsibility: We did? I don’t see it?

Memory: We scheduled it.

Responsibility: Are you sure? When did we do it?

Memory: Last weekend, we did both posts – you remember.

Wit: No. You remember.

Memory: Right.

Responsibility: And you’re sure we did this week’s? Because I don’t see any listed.

Logic: If they’re not in the list of posts, we didn’t schedule them.

Memory: Doesn’t matter. We did them.

Logic: Then, they should be in the drafts.

Memory: This is a private conversation.

Responsibility: They’re not in drafts.

Logic: He must be remembering last week.

Memory: I am not!

Responsibility: We still have to do today’s post then.

Panic: But it’s already today! It’s afternoon! We can’t-

Creativity: -Oooh! More to write? Can we do something crazy? Something out there! Or, I know, we could draw a picture – or paint one! Painting’s even-

Panic: -We don’t have time to paint! We don’t have time to do anything!

Logic: We could do it on our lunch break.

Wit: Could we? Are you sure?

Responsibility: Yes. That’s fine. We’ll do it on our lunch break.

Memory: We already did it.

Panic: But what will we write about? How can we even think of an idea that fast?

Creativity: Are you kidding? We have lists of ideas! Have you been-

Memory: We already did it!

Creativity: -listening?

Logic: If you two keep arguing, we will run out of time.

Panic: See? I told you we didn’t have enough time!

Wit: That helped.

Panic: We’ll never get it done!

Memory: We. Already. Did. It.

Responsibility: Guys, put it aside. We need to work on other things. Today’s article can wait until-

Memory: WE ALREADY DID IT!!! [Storms off.]

Logic: …he’s going to spend the whole afternoon nagging us that we already did it, isn’t he?

Wit: Nope. Absolutely not.

John Steinbeck Quote: Ideas Are Like Rabbits

john steinbeck quote ideas are like rabbits

Well, not the chocolate ideas. They have the opposite problem…

You know, this John Steinbeck quote is beautifully simple, straightforward, and true: “Ideas are like rabbits.” Even the imagery and simile of the beginning by itself imply the meaning since rabbits’ reproductive speed is a well-known cultural joke. When it’s expanded into an analogy, it’s patently clear:

It’s easy to be overrun by ideas.

Simple, right? In fact, I think I already touched on that when I talked about making sure you have some way of recording ideas for later use. I even posted a similar quote of my own about ideas last Easter.

So why post this John Steinbeck quote?

Well, since you asked (*cough*), there are a couple of reasons.

  1. I like it. (And it’s my blog, so I’ll post what I want. Thbbbt!)
  2. I wanted to make a creepy bunny image for it. (I ain’t right…)
  3. I’m moderately disturbed by it when considering some of Steinbeck’s books – 1 in particular.

Have you ever read Of Mice and Men? Doesn’t this John Steinbeck quote have weird overtones when considered in context with that book?

“Ideas are like rabbits…”

So we want to pet them and then accidentally kill them? They’re a pipe dream that will never be realized because we’re not capable of it?

I know, I know. I’m being too literal, and I’m overthinking it.

But, if you do really think about it, don’t those two questions add another aspect to the quote that are also true? I don’t know about you, but I’ve killed a few ideas in my time. I wasn’t trying to hurt them… That didn’t change the end result. And as much as we like to think that we can always try an idea again, in my experience, there are limits to that.

Like burnout, not having the right skill set, not being able to let go of ideas within it, etc.

Then, there’s the second question. Are these ideas just pipe dreams that we’ll never be able to realize? Again, I have to say, “Yes.” At least some of them.

Think of it this way: I’m still pretty young, so I could (potentially) live another 50+ years. I have new ideas at a rate of about 3 to 30 a day. I realize about 1 a day. Maybe. Or less. Some days, I might be able to use more if they can be merged together into something. Or if I’m somehow amazingly productive.

But that’s roughly 36,500 to 529,250 ideas that I won’t be able to use in my lifetime. I guess I could will them to someone else, but if other writers and artists have this same problem, then all I’m doing is adding to the number of ideas that they won’t be able to use.

And, really, who’s going to use my idea when they could use their own? Maybe, people who aren’t good at coming up with ideas; however, in that case, would I even want them to? Would they be able to explore the idea to its full potential?

So this quote went from a straightforward, kinda funny, and definitely true view about how ideas multiply to a macabre, dark, depressing, and possibly true view of how ideas multiply too much.

This might be one of those ideas I killed…

Anyone else have any thoughts on this? Or are you going to bury this knowledge deep in your psyche as soon as you finish reading so that you don’t have to look at it again?

*Do I have an artsy prejudice against the writing skills of non-idea-generating people? Hmmmm… That’s worrisome.

Save the Words! Make Your Own Idioms!

save the words make your own idioms to fossilize them

I tried to find a Word fossil, but they were too floppy…

Join the latest conservationist movement: Save the Words! It’s too late for the letter Ethel. It doesn’t have to be too late for literally and nauseous. And you can help these poor words with one simple action – and it’s free. All you have to do is make your own idioms!

That and 212 easy payments of $0.99, and you can adopt a word!

Ooops! Sorry – I mixed my emotional appeals. What I meant to say was that, if you make an idiom for a word and help that saying become popularized, then you could be saving a word. Because of you, that word could be safe from the evil evolution of language (*Grammarians everywhere hiss*).

As hard as it is to believe, I’m actually serious. -_-

According to the latest Mental_Floss article that’s floating around Facebook (which I, of course, believe implicitly without doing further research) suggests that at least 10 archaic words were saved using precisely this method: “10 Old Words That Survived by Getting Fossilized in Idioms.”

I know. Now, you’re asking yourself, “Why didn’t I know about this sooner? How do I make idioms that will be popular enough to save important words?” Just remember: we’re here to help. Or, as I like to say, “get 4 succors a day.”

It’ll catch on any minute. Just watch.

As a serious writer, of course, I know nothing about appealing to the common man or pop culture (whichever comes first), so I’ve compiled some resources for you starting with the most obvious and reliable source:

  1. Wikihow: “Make a Meme
  2. Digital Trendes: “How to Make Your Own Meme
  3. Memegenerator

Now, you, too, can write idioms and popularize them with pictures of cats, awkward moments, or historic-looking drawings on colored rectangles. More importantly, you can save the words. The power is yours – don’t ever let anyone tell you otherwise.

Remember: A flipped bird on each hand, is worth some booboos that will hurt.*

*No one said you had to save real words!

For Authors with Books in Kindle and Print: Check out the Storyteller UK Competition

Unfortunately, I’m not ready to take advantage of this opportunity. I am, however, prepared to share it so that you can. You’re welcome.

Sorry. Just kidding – I can’t say that seriously in those circumstances without feeling like the R-rated word for jerk.

Shizzle, Inc is now back to $2.99USD, and it’s the Storyteller UK competition to blame. That, and partly the negative reviews that come from readers grabbing a freebie without even reading the blurb. Oh, and the fact that in June I’m going to pitch it to a dozen publishers and a $2.99 book may look […]

via Storyteller UK competition and why Shizzle, Inc is no longer free — Ana Spoke, author

A Writing Activity for Music and Poetry

This exercise is great for demonstrating how so much of a song’s power and meaning come from how the music and lyrics work together (I may refer to lyrics as poetry and vice versa). Technically, it’s only a writing activity for music and poetry if you do both parts; however, even the first part alone is worth the doing. Both because of how well it demonstrates the point and because the results can be pretty funny.

The Power of Music and Poetry Combined

The Demonstration

Like any class, this starts out with a demonstration. This particular demonstration can then be used to inspire writing. Here’s how it works.

  1. Pick two songs with very different moods. Preferably songs that you know by heart (lyric and melody). They can have similar topics or not.
  2. Sing the first song’s lyrics to the melody of the second song. You don’t have to do the whole song, but try to make it through a verse and/or chorus at least.
  3. Reverse it. Use the first song’s melody with the second song’s lyrics.
  4. Evaluate the result. If you can stop laughing or shuddering with horror (depending).

It’s not easy to do, is it? When you know a song well, you don’t know the lyrics and melody separately – they go together. The way they fit together is what makes it that song.

Changing the melody or lyrics of the songs can change their moods and meanings completely. Even when the words are exactly the same, so much of what influences their meaning changes. Such as

  • Which words are emphasized (by holding them longer, larger intervals, etc.)
  • The emotion behind the words (Or the one implied by the music anyway – look up the lyrics for “You Are My Sunshine” if you want an example of words and music that don’t really match.)
  • Pauses (You would not believe how much the length and placement of pauses influences meaning!)

Those are really important in songs and in poetry.

A Writing Activity

This writing activity is a little like the poetry writing prompt for free verse – it involves writing the same meaning multiple times before arriving at the final wording. You can be writing a poem or song lyrics (honestly, the only real difference is the intent of the writer).

  1. Choose a topic.
  2. Brainstorm the characteristics of that subject that you want to emphasize. In other words, make a list.
  3. Pick a mood to try first.
  4. Write the poem for that mood. Word choice, meter, rhyme, and imagery are some of your best tools for influencing the mood of the poem.
  5. Set that poem aside.
  6. Pick a different mood. The bigger the difference, the better.
  7. Write a new poem for that mood. Use the same topic and characteristics you used for the other poem, but change the word choice, meter, rhyme scheme, etc. to change the mood.
  8. Compare the two.

That’s it. It’s great practice for learning techniques to create different moods with your poetry and especially for making sure that the mood enhances the meaning. For instance, that you didn’t get caught up in a meter that doesn’t fit what you were trying to write (easy to do). Or started rhyming too much or too little. Maybe you need to defy that rhyme or take away alliteration instead of adding it.

It all depends on what you’re trying to accomplish.

If you don’t feel like you mastered it immediately (who masters anything immediately?), do it again. And again. And again.

How many times will it take? I don’t know – you tell me.

Ending the Either Or Problem with a Third Choice

ending the either or mentality with a third option

Think I’m taking a path? Well, think again.

The either or mentality is a bit like a famous Robert Brown poem – you have two clear options, and you pick one (well-traveled or not). Which means that ending the either or problem with a third choice has a couple inherent problems. Namely, it can be difficult to do while keeping two clearly defined options. After all, if there are 3 options, it’s not really either or, is it?

Building, Then Defying the Either Or Mentality

I talked about how to create an either or mentality a while ago, and one of the rules was that the character can really only see 2 options or all the other options have to be taken away somehow.

So how do you provide a third option if there are only 2? Or if the others are already gone?

Outside Intervention

One of the most common solutions to this situation is outside intervention. A character who has not been with the main character during this dilemma shows up and provides a way out by

  • removing a barrier to one of the previously blocked options
  • bringing a tool, spell, etc. that changes the original evaluation of the situation (like bringing someone a spell component they didn’t have or tossing a jailed warrior his/her weapon)
  • joining forces unexpectedly to turn the tide (yes, I’m being deliberately cliched and vague)

Of course, there are rules for this. At least, there are rules if you don’t want the intervention to be horribly jarring and unbelievable. *cough* deus ex machina *cough*

  1. The intervening character needs to have been introduced already. Either the character needs to have been present in a previous scene or have been talked about. This can be the type of character instead of a specific character (a Jedi, for example). You need to have at least hinted to the reader that this is person or group exists.
  2. The main character cannot know until it happens. Whoever’s perspective the story is told from can’t know ahead of time, or the reader should’ve known ahead of time. See the problem?
  3. If any of the main characters did know, their previous behavior should hint that they knew something they weren’t saying. There also needs to be a strong reason for not saying anything – like having the enemy eavesdrop.
  4. Ideally, the sudden intervention shouldn’t make the situation super easy. Readers like a sense of urgency and effort. If everything goes too easily for the main character suddenly, it feels like a copout even if the outside forced was previously hinted at. (Plot against your characters, not with them!)

This technique can be used in smaller conflicts (not just the climax). In fact, it’s probably better in small conflicts or as a mere fraction of the climax (IMHO) because you want the main character to be at least partially responsible for the climax (isn’t that the point?).

Sudden Epiphany or Reveal

This is another common solution. In essence, the main character suddenly puts together information in a new way to reveal an option that he or she hadn’t considered before. Or forgot or didn’t think of in that context.

The usual causes for this are

  • The uncovered detail: This one centers on a physical aspect of the situation that was overlooked before (seeing a rope tied to a chandelier, noticing that the villain is standing in water, noticing how a switch or lever works, etc.). Usually, someone or something moves, and the main character sees something he or she couldn’t see before.
  • The villain’s monologue: You know what I mean. The villain starts talking about the plan and accidentally reveals something that helps the hero. Or the monologue inspires a stupid henchman (or henchwoman?) to blurt out the one thing the hero wasn’t supposed to know.
  • A stray comment: Somebody who doesn’t have a clue how to fix the situation or doesn’t even know the whole situation says something in passing that inspires the main character to figure out the answer.

If you put your mind to it, you’ll find that it’s really easy to think of examples of this one.

Secret Skills

As a plot twist (and solution to the either-or problem), this works best when the character with the secret skill is a side character – not the perspective the story is told from. If it’s the main character, there had better be a narrator, or it had better be established as an unreliable narrator or liar. Otherwise, you have the same problem as using the first option that way: broken promises.

You see this most in three cases:

  1. When the character is new (you don’t know much about his or her abilities yet)
  2. When you have a spy character who was working for the other side but decides to rescue the heroes (often for reasons of his or her own)
  3. When someone is hiding a skill for some other reason (avoiding racial prejudice, wanting to be left alone in retirement, a scarring experience, etc.)
The Art of the Unexpected

Other methods rely on the character’s ability to think outside the box. If that isn’t already part of the characterization as being a character trait or something that the character is trying to learn, this tactic will totally break whatever characterization you’ve built for him/her (so don’t use it under those circumstance, right?).

The great thing about this method is that it often surprises the readers, as well – without breaking promises because they expect that character to surprise them. The downside is that writing a character who constantly thinks outside of the box can be a wee bit challenging (to say the least).

So it’s still following the rules for the first option. Actually, all of these options should more-or-less follow those rules (always follow the heart of those rules). So I probably should’ve put them somewhere else. Oh, well. Too late now. *cough*

I don’t know about you, but I think I’ve rambled on about this long enough. Anything you’d like to add?

A Great Tone Example That’s Funny, Too

great tone example what is tone

Those thousands of shades of green? That’s like all the different tones you could write the same story in.

From middle schoolers to adults, people have trouble with tone. Especially telling tone from mood. Well, here is a great tone example that’ll not only help you better understand tone but also make you laugh (what a deal!).

But, first off, a bit about tone.

What Is Tone?

Tone – the attitude of a piece (usually the author or narrator’s attitude towards what is happening)

Ever get in trouble for your tone as a kid? (Or as an adult?) You know, when it wasn’t what you said but how you said it? (tone of voice and body language?) Tone is like that, but since writing isn’t spoken and doesn’t have nonverbals, that attitude is taken from the word choice instead. How  you word something dictates the tone.

It’s like paraphrasing using close synonyms: the denotation shouldn’t change, but the connotation might.

You look really thin!
You look awfully skinny!

They’re the same thing but not. The switched words are close synonyms (same detonation), but the connotation is definitely different. People who want to appear polite but insult someone at the same time are really good at distinctions like this. And so are satire writers. *cough* I mean hospital workers.

A Great Tone Example

This is an article from a medical satire blog called Gomer Blog. IMHO, one of the keys to successful satire is a believably sincere tone. In this case, they took it a step further with an overly sincere, understanding, and even sympathetic tone. The article is called “Hospital Publishes 6 Patient Guidelines: ‘Please Try Not to Confuse Us with a Hotel.”

Here’s a sample:

Here at Outside Hospital (OSH), we are 100% committed to your satisfaction as a patient.  To this end, we have created this pamphlet, which contains some tips and advice to guide you in your hospital stay, and we will be providing this to each and every patient immediately upon your arrival to the hospital.  Even if you have slurred speech secondary to a stroke, been shot multiple times, or don’t even know your own name, don’t worry, we won’t bother you with pesky ECGs or mental status exams until we have gone over this information, in detail.

  1. Please try not to confuse us with a hotel.

I know, I know, the free cable, hot breakfasts, and lumpy mattresses all create an atmosphere that is incredibly confusing since it resembles your favorite Holiday Inn.  However, we actually are a hospital, not just a bunch of beds filled with some sick people.  So, that means that your breakfast may not be the equivalent to IHOP’s, we might not have Comedy Central as a choice of channels and sometimes, when your doctors come into your room, they might have to turn off the television so they can discuss your health.  Although I know these lack of conveniences might lead you to believe that you are in a third-world country, they probably don’t deserve a one-page written complaint…

Hooked? Read the rest of “Hospital Publishes 6 Patient Guidelines: ‘Please Try Not to Confuse Us with a Hotel” now. I’ll wait.

Isn’t it great? Especially if you’ve ever stayed or worked in a hospital. Or know anyone who does. When you hear the stories about the ridiculous complaints people get (or overheard those people in the waiting room, etc.), then it’s even funnier (Or more painful. Whatever).

If you haven’t heard any of those stories, read some of the customer is not always right. You’ll lose faith in humanity, but you’ll develop new empathy for people in customer service – and not only in hospitals (and you can get some of that faith back by reading the not always hopeless tab at the end).

But back to tone.

Do you see how the tone makes the humor work? It’s that overly-solicitous attitude. Like a parent saying, “Oh, I can’t believe they assigned you twenty problems of math! How can they expect you to do that when your thumbs are completely paralyzed from texting your friends?” Heh. Lol. So, yeah, it’s like sarcasm. Sometimes, the best way to make fun of something is to act like you seriously agree with it.

Sure, that’s not the only tone you could write. Any kind of emotion or attitude can be a tone – snippy, humorous, condescending, confused, etc. Any emotion you can put into your voice, you can put into your words.

Any questions?

Why Do I Like the Trolls Movie? [Warning: Spoilers]

why do i like the trolls movie

This one. The one modeled after the creepy children’s toy and featuring famous singers.

This is a serious question. I saw the Trolls movie a week or two ago, and I keep getting the urge to watch it again – one problem: I have no idea why! I’ve been asking myself all week, “Why do I like the Trolls movie?” And I don’t know the answer. I DON’T KNOW. (It’s sooo weird.)

If you’re new to this blog, you’re probably wondering why I’m freaking out about this. Well, the truth is that I’m a super-analytical dork, especially with writing-related stuff. So if I like something, I usually know why. In fact, I can generally break down why into a detailed article (and sometimes do). In this case, I find myself enjoying the movie, multiple times, without knowing why.

So What’s So Great About the Trolls Movie?

That’s the thing – it isn’t a great movie. No, I’m sorry, but it’s not. It has plot flaws. It has flat characters. It has odd/even creepy hidden messages (casually setting someone on fire, anyone?).

Honestly, it’s easier to think of reasons why I shouldn’t like it.

Why I Shouldn’t Like the Trolls Movie

At first glance, there is a lot of 2-dimensionality going on with this story. 2D characters (say, everybody except the main 4 characters…who only start to flesh out halfway through the film). Holes in the plot, unanswered questions, and logical fallacies (see bel0w).

There are also some seriously creepy and/or disturbing underlying messages being sent. The characters accept them, so we focus on the storyline and don’t really dig deeper. Once you start digging deeper, however, oh my.

Here are some specifics (if you don’t want spoilers, skip ALL the bullet points in the article, k?). These are in no particular order.

  • Stereotypical Colors: Poppy is pink, and Branch is blue. Seriously? Did you have to go with such stereotypical boy-girl colors?
  • Cheap Jokes: The butt pun, glitter farts, and every one-liner by a background character (usually Cooper) that shows zero understanding of the situation: that’s what we call cheap shots, folks.
  • Genocide/Cannibalism: The primary concept of the story is that the Bergens trapped an entire race of PEOPLE and ate them once a year. We’re talking slow genocide here. Or treating a race of people like cattle – pretty disturbing, yeah?
  • Sociopathic Actions: Cooper casually sets Chef on fire, doesn’t even look at what he’s done, and then smiles into the camera. WTH? That’s seriously disturbing right there. And I did not need visions of sociopathic trolls to help me not sleep.
  • Voice Acting Ethnicities: Speaking of Cooper, did anyone pay attention to the distribution of ethnicities in the voice acting? Anyone else feel slightly uncomfortable with that? (Or worse?) Or am I being oversensitive?
  • Breaking the 4th Wall Badly: Remember those cheap shots? Those one-liners where Cooper grins into the camera? That’s breaking the 4th wall, but the story isn’t getting anything out of it. Except a cheap joke.
  • Dark & Disturbing: Children trolls playing by jumping in and out of steel traps. Oh, and what about the Bergen who is committing suicide by burying himself alive? That’s pretty dark and disturbing. “Here lies me.”
    • Creepiness: Some of the hugging gets creepy. Like the horde advancing on Branch as he screams. What the other people say as they hug him, the glitter guy hugging himself, the creepy cloud joining a hug without being invited, etc. Hugs are great – unless they’re from someone you don’t want a hug from. Then, they’re creepy or frightening (or a type of assault… just sayin’).

So I could stop there and still have plenty of reasons to not like the movie, right? OR… I could go on and list every uncomfortable or less-than-amazingly written moment. And that’s not even including the broken promises.

There are lot of broken promises. Since this blog is about writing, I guess I should talk about some of those.

Broken Promises

They set up rules for the world, but then they break them. Or kind of break them (actions that don’t entirely make sense with those rules).

Now, I know that suspension of disbelief is needed for movies, especially animated movies. I don’t have a problem with that. I’m pretty good about suspending my disbelief. Usually. Unless I’m slapped in the face by contradictions or questions. In this movie, I felt slapped in the face by them sometimes. Other times, they were like being poked in the shoulder (less distracting but still).

  • The Chef reveals her plan to take over the kingdom, and then those plans are basically ignored. We get a little dramatic irony from time to time, but the captured trolls who heard it never even reveal it, let alone do anything about it. (Plus, if she’s going to feed the others all of the trolls that Trollstice, how does she plan to continue feeding them trolls?)
  • Why did the Bergens only eat trolls once a year? They don’t seem that bright or good at self-control. It really doesn’t fit with the rest of their established background or character. And who would willingly be happy only once a year?
  • The Bergens firmly believe they can’t be happy without eating a troll. Even after a troll talks to them and raises a little doubt in that theory, I don’t see them ignoring dozens of tasty snacks of happiness falling down around them. Does that seem believable to you? I mean, even if they think they might be able to be happy without eating trolls, they know that eating trolls makes them happy. And they’ve missed eating them for a long time. That’s like a dieting person watching their favorite dessert dance around in front of them in scores and having no urge to eat it (not gonna happen).
  • Why do the Bergens have a roller rink or pizza if they don’t have fun? That totally confuses me and breaks from the groundwork and characterization.
  • Think about all the dangers Poppy faces is less than a day. Can you see her father getting the entire race of trolls through those safely? There’s no way. Most of them would’ve been eaten before they ever found their new home.
  • If trolls are so nice and loving, how come nobody took care of Branch or comforted him after his grandmother’s death? How come nobody knew? And why didn’t any of the other trolls whose relatives got eaten react similarly? Didn’t they care?
  • If Bergens don’t know how to sing, then how did Bridgette learn? She knew how to sing before even meeting trolls. I’m cool with the idea that she’s an anomaly, but if the main idea behind the climax is that any of the Bergens can be happy, wouldn’t there be a subgroup that found it on their own? Like an underground society of secretly happy Bergen?

There are plenty more, but that’s more than enough for our purposes. And more than enough to turn someone off the move. Yet I keep wanting to watch it. It’s baffling.

Why I Should Like the Trolls Movie

There are some obvious answers:

  • The music: it’s upbeat and fun (mostly), and it’s integrated very well with the story.
  • The main characters: Poppy, Branch, Bridgette, and Gristle are fun, likable characters. They have depth (eventually), and they aren’t obvious for the most part (or at least, not as obvious as the other characters).
  • The plot: It’s not entirely unpredictable, but it doesn’t go where you’d immediately expect it to go. There are some nice twists and turns.
  • The foreshadowing and irony: “Someday, when the Bergens find us, and the survival of every troll is in your hands, I sure hope the answer is singing, dancing, and hugging ’cause that’s all you know how to do!” Foreshadowing and dramatic irony in one. Nice.
  • Some dialogue: There is a witty, sarcastic trend to some of the dialogue that is fun. I say “some” because it’s mostly the dialogue of the main characters and not the background trolls: “A man’s bib.”
  • My dark, twisted sense of humor: So a lot of that dark, twisted stuff that makes the movie creepy if you think about it also makes the movie funny if you don’t think about it (assuming you’re a bit wrong already).
  • The fuzziness: Ok, no, I don’t have a thing for fuzz. But textures have long been one of the biggest challenges of animation. To do an entire movie that’s mostly the texture of felt? With all that hair? Not the easiest thing in the world. So that’s impressive.
  • The frog rooster: What? It’s funny!
  • The main message: Happiness is inside all of us, and sometimes, we need help finding it. I think that’s a good message (a bit more useful than “love conquers all” and less irritating than “Happiness is a choice.”).

Then, there are the not-so-obvious answers. The ones I had to think about.

  • Characters like Smidge who break some stereotypes for gender colors, styles, and sounds.
  • The fact that the prologue/history is actually told from Poppy’s perspective (and scrapbook). I didn’t really think about it at first, but having it told from her point of view instead of a narrator’s makes all the difference in the world. If Poppy’s telling it, it can be prejudiced or flawed. So some of those broken promises can be resolved by the fact that the story as Poppy knows it being incomplete or slanted.
  • The way the flatness of the characters acts as a strange kind of characterization (Fiyero might call it “deeply shallow.”). Having few or no thoughts beyond singing/dancing/hugging/fun is established as a troll trait. So by being oblivious to a lot of what’s going on, the trolls are actually following the established characterization. The only problem with this is the fact that Poppy and Branch are pretty smart – when they choose to think. Maybe, it’s like Legally Blonde and doing what’s expected (I haven’t quite resolved this thought…).
  • The group’s mockery of Branch, King Peppy’s command to flee, and Creek’s betrayal. The fact that the trolls can be flawed and selfish makes them more human and interesting despite their otherwise shallow mentality.

I think it’s these contradictions that’s giving me trouble analyzing my response – the very flatness of the characters is their rounding (if that makes sense to anyone), the lines are alternately witty or almost annoyingly oblivious, and the humor is spot on or disturbingly creepy.

What can I say? It’s a movie of contrasts. And I’m listening to it in the background as I write.

6 Word Short Story Writing Prompt Challenge

6 word short story writing prompt challenge does not use once upon a time

Um…no. You just wasted 4 words.

Can you express a story in 6 words? Or less? If you’ve practiced and mastered writing 50 word short stories like “They Call Him the Philosopher,” you might be ready for the 6 word short story writing prompt challenge.

An Advanced Writing Prompt:
The Challenge of the Six Word Short Story

Pregaming the 6 Word Short Story

*cough* I mean, “prepping for,” not “pregaming.” *cough*

If you’re not quite ready for the 6 word short story (for example, if you’re like me, and writing short stories isn’t your best skill), then, here are a few thoughts for how to pregame. *cough* prep.

  1. Spice Up Your Writing is good for reviewing imagery techniques.
  2. How to Put Your Readers in the Mood might help because mood is all about manipulating emotions, and emotions are a big part of communicating in fewer words.
  3. Poetry Writing Prompt for Free Verse is good practice for expressing meaning figuratively instead of literally.
  4. Four Articles About How to Write a Good Short Story gives you 4 articles with tips for writing good short stories (articles by other people, by the way – not me, the person who’s not so fabulous at writing short stories)
  5. 50 Word Short Stories: Another Way to Challenge Yourself helps you scale down if you’re used to writing longer stories. If you’re used to writing, say, novels, you can start with regular short stories. Then, cut it down to 100 words, 50 words, and so on. Baby steps, people. Baby steps.

Read up and practice all of these, and you’ll (theoretically) have all the skills you need for the big game.

The 6 Word Short Story

Are you ready to rumble????

Hey! That’s almost a 5 word short story! You know, because we have so many connotations with the phrase that it implies some sort of a match! (I told you I’m not very good at this…)

Seriously, though, if you’re ready to challenge yourself by writing six word short stories, here is the best advice I can give you:

Think abstract painting – imagery and association are everything.

You basically want to say as much as you can with the fewest number of words. To do that, you have to imply the story instead of stating it explicitly. You have to raise questions in the readers mind, but you also have to make the implications strong enough that they don’t question the existence of the story. They have to be certain that something happened even if they’re not sure exactly what or how. (Here’s one of the most famous 6 word stories ever along with its history to give you an idea.)

So… um… how, exactly, are we supposed to do that?

What Good 6 Word Short Stories Do (or Don’t Do)

Now, having admitted how average-to-poor I am at writing these, you may not be interested in any tips I have (Really. Why are you still reading?). But just because I can’t do something well, doesn’t mean I can’t recognize good 6 word short stories. Or can’t break down what they have in common.

  • Avoid filler words, especially articles and prepositions. Even though articles are usually important (prepositions, too), here, they take up too much room and do too little.
  • Don’t use complete sentences. You ain’t got time for that. Or space.
  • Correct punctuation is optional. Yes, it’s opposite day. You’re going to ignore most of the rules in “Top 5 Grammar Rules Not to Break.” The fact is that sometimes, correct punctuation will help you join the thoughts of your fragment(s), but if you’re not writing in complete sentences, correct punctuation isn’t always possible.
  • Try different iterations. It’s 6 words. If you can’t write at least 10 drafts to try out different ways to express your idea or situation, you’re just being lazy. Seriously, people.
  • Pick powerful moments. Brushing your teeth in 6 words or less isn’t much of a story. It needs to be an emotional, high-stakes moment.
  • Practice with “A Writing Prompt for the Worst Time of Your Life,” but instead of starting after that worst time, summarize it. Try to express how it felt, how it affected you, in 6 words. It’s not gonna be easy, but if you manage it, you’ll have mastered the 6 word short story writing prompt challenge.

That’s all I got, but it’s a starting point. And if you manage to do all of these while keeping in mind the implication you’re going for, you have a good chance of writing a good 6 word short story. Heck, if you manage the last one, you’ll have a great six word short story.

So whaddya think? Got any tips for other writers trying to write 6 word short stories? What works best for you?

10 Fun Made-up Words from Movies, Books, and Musicals

fun made-up words from movies books and musicals

That’s what fun made-up words make you do. Admit it.

Hurray for neologisms! (and neologists!) These fun made-up words from movies, books, and musicals will keep you smiling – especially when you start throwing them around in conversation!

10 Neologisms (Fun Made-up Words)

 1. Thneed

Picking a single neologism from Dr. Seuss books is quite a challenge. His amusing, rhythmic stories rely on fun made-up words more than perhaps any other author’s works (AKA nonsense words). I finally settled on a thneed by deciding that people and places wouldn’t be included in this article (This would be a lot longer list if I included every made-up name of a person, country, or language!).

And like many of Dr. Seuss’ made-up words, “thneed” is fun to say, which is always a plus with neologisms. English just doesn’t combine “th” with “n” very often without using something in between like, I don’t know, a vowel.

Besides, “a thneed is a thing that everyone needs.”

2. Psammead

Ever read Five Children and It by E. Nesbit? If you haven’t, I highly recommend it, especially for kids who enjoy imaginative stories and dryly humorous British narrators (You know what I mean.). This particular story (and several others about the same children) features the Psammead, a sand fairy.

I’ll be honest: I have no idea how to pronounce Psammead. I guess I could watch the movie (AKA cheat and learn someone’s idea of how to pronounce it), but that would take all the fun out of trying!

3. Hooficure

Yes, even the new My Little Ponies has neologisms. This one seems decently self-explanatory. In fact, it makes more sense than a manicure at first glance (that is, until you find out that the Latin root “man” means “hand”).

4. Snicker-snack

You know what it’s from. In fact, you’ve probably listened to celebrities read “The Jabberwocky” recently. Like Dr. Seuss’ work, “The Jabberwocky” is full of fun made-up words. I like this one because it’s not only a neologism – it’s also a fun example of onomatopoeia.

Granted, I have no specific definition for it. But that’s part of the appeal of the poem, isn’t it? And neologisms, too, come to think of it.

5. Foodimals

These creatures from Cloudy with a Chance of Meatballs 2 are named from an obvious combination of words. Other than adding an appropriate suffix, it’s one of the oldest techniques of making up new words. It’s also one of the best for getting the point across in a hurry while still using a fun made-up word.

Go ahead, take a wild swing and guess what a foodimal is. Did you guess an animal made out of food? Some sort of food animal? (Really, what else would you guess?) Then, you’ve pretty much got the idea.

6. Pensieve

$10 says you recognize this one!

Not really. I can’t afford to make bets and start a new business at the same time. Still, I would expect that you’ve at least heard this word from J.K. Rowling’s Harry Potter series. Like many of these authors, Rowling made up quite a few fun words in her books. She also did a lot of word play and re-defining existing words.

Pensieve holds a special place in my heart 1. because I want one (seriously, my mind is kind of turning into a stereotypical wizard’s tower room: so full of randomly interesting stuff that it’s hard to find what you were looking for – whatever the word for that was), and 2. because it’s a pun. And who doesn’t like a good pun? (If you can find one!)

7. Snarfblat

Aren’t you glad we don’t live back in the days when all people had to do was stare at each other? Now, instead, we don’t have to look at each other at all except through little screens! Awesome, am I right?

This little gem from The Little Mermaid is a fun made-up word and definition for a real thing. Which only goes to show how important it is to have a reliable resource when looking for information. In other words, don’t ask a seagull.

8. Supercalifragilisticexpialidocious

I absolutely love that spell check knows how to spell this! There are dotted red lines under half of these words – not this one! Heh. Maybe, I typed loudly enough to sound precocious, so the spellcheck assumed I knew what I was doing.

For those of us who grew up with Mary Poppins as children, this word (and its song) have a special place in our hearts. Those who didn’t probably just rolled their eyes and said, “Don’t expect me to try to say that!”

Well, it is one of the most ambitious of our fun made-up words…

9. Yabba dabba doo!

Is this a fun made-up word or a fun made-up phrase? (Depends on who’s spelling it)

I like to think that this neologism came from animators and screenwriters sitting around and making caveman noises. Either that, or a voice actor getting so caught up in the character that he starts spouting nonsense. (It may be closer to the second one if you believe this article about its origin.)

Wherever it came from, if you know the Flintstones, you know this word!

10. Cowabunga!

Last, but certainly not least, comes the catchphrase of the Teenage Mutant Ninja Turtles. I hate to say that it actually came from The Howdy Doody Show and was used in circumstances that would probably be considered offensive today. But if you’re like me and want to pretend you never heard that, hit play, close your eyes, and listen to the Master.

That’s it folks! Until next neologisms (Wouldn’t that make a great holiday?), happy word making!