Tag: Reader

Character Reactions Are the Laugh Tracks of Books

Any TV show that’s filmed live has little signs that tell the audience when to applaud. Almost all TV shows use laugh tracks so that audience members know when to laugh, and movies have soundtracks that tell the audience when they should feel happy or sad or scared. What do books have? Books have words. (duh) They have words that shape the...

6 Methods to Hook Readers

Anyone else learn about hooks in high school? You know, those one-line bits of magic that supposedly made your college application essay more interesting and enthralling to the poor brain-numbed grader? They’re baaack… Joking aside, hooks are in everything – or at least the concept of hooks is. A hook isn’t necessarily a one-liner. It can be an idea, a...

The Top Tool for Realism Is Imagery

It’s hard to talk about realistic writing without talking about imagery. What I said yesterday about realism related to research, experiences, and believability is true, but it was still framed in big ideas (almost more related to plotting: what situations or experiences will the reader believe are real?). Imagery is more about the small details of the experience, and it is one...

Do Authors Tell Stories Or Lies?

A friend of mine is a teacher for a private enrichment company, and one night, she had a student who was determined to argue. Whatever the topic, he could find something wrong with it. When they got to fiction, he pretended to be horrified, saying that fiction is a lie (and, therefore, morally wrong). It was obvious that he was deliberately...

You Can’t Scare Your Audience Without Suspension of Disbelief

All this talk about horror seems like the perfect time to mention suspension of disbelief – the ability to set aside reality long enough to enjoy the story. As readers or audience members, we have to accept the underlying “lies” of the story (supernatural monsters, magic, amazingly advanced technology, talking animals, or even people bursting out into song and dance),...